THE STORY: Furthering the theme of political consciousness expressed so forcefully and eloquently in his earlier play
One for the Road, MOUNTAIN LANGUAGE takes place in an anonymous country where individual liberties have been forfeited to the state. Set in a prison where the inmates are forbidden to speak their own language, the play is comprised of four terse, arresting scenes which make masterful use of nuance and subtle understatement (with sudden bursts of violence) to create an overwhelming sense of terror and shocking futility. In one scene, uniformed officers taunt and belittle the women who have come to visit their men, who are political prisoners; in another, a mother and son are allowed to speak only in "the language of the capital," which they do not know; in the third scene, a young woman accidentally sees a guard holding a limp, tortured man whom she knows to be her husband; and in the final scene, the old woman is reunited with her bloody, trembling son and told that she may now speak, but she has been silenced so long that she cannot, or will not, do so. Quintessentially Pinteresque in its skillful use of pregnant pauses, resonant images, and nightmarish utterances, the play is both enthralling theatre and a stirring reminder of what can happen when the power of the state becomes all-encompassing and the rights of the individual are forfeited, whether through neglect or weakness of will.
